A new school year, his brother Rodrick teases him over and over and over and over again. Will Greg manage to get along with him? Or will a secret ruin everything?

Wimpy Greg Heffley, now in seventh grade, thinks he has it all together. He has mastered middle school and gotten rid of the Cheese Touch. However, Greg's older brother, Rodrick, is itching to cut him down to size. He gets the perfect opportunity when their mother tries to force the boys to bond. Rodrick may be Greg's chief tormentor, but he feels his constant pranks are just what his little brother needs to prepare him for life's hard knocks.

It's summertime, and Greg Heffley is looking forward to playing video games and spending time with his friends. However, Greg's dad has other plans: He's decided that some father-son bonding time is in order. Desperate to prevent his dad from ruining summer vacation, Greg pretends he has a job at a ritzy country club. But Greg's plan backfires, leaving him in the middle of embarrassing mishaps and a camping trip gone wrong.

A beautiful young woman sets her sights on an aging millionaire. She seduces him, and moves into his mansion with him. She soon tires of him, though, and after she gets rid of him, she goes after his son.

Told from the narration of her diary, 12-year-old Cuban-American Elena navigates the ups and downs of middle school and begins her journey to become the future president of the United States.

This legal whodunit movie served as a pilot for the television series Matlock.

A drug-addicted doctor who works in an asylum discovers that one of his patients is a gifted writer.

A restaurant owner leads a double life.

Funny film concerning John Prescott's affair with Tracey Temple

Artist Lawrence Abu Hamdan has a sonic research practice that acts to investigate human rights abuses. In this essay film he focuses his “Private Ear” into analysing sonic data generated by the UN to chart the incessant noise pollution emanating from unauthorised Israeli plane and drone flights into Lebanese airspace. His study focuses upon a period of relative silence in Beirut, the streets of the city emptied by the Covid-19 lockdowns of 2020-2021. UN data is combined with video documentation of the skies above Beirut, filmed and gathered by Abu Hamdan. In this space he carefully charts the sonic incursions of the sometimes invisible but ever-present aircraft, manned and unmanned, which the artist describes as “atmospheric violence”.